Las Dos Fridas (The Two Fridas) – Frida Kahlo Painting

Magdalena Carmen Frida Kahlo Calderon, or Frida Kahlo, was a painter born(p) in Mexico in 1907 and died in 1954. Her draw was German and her mother was Mexican Indian. From her childhood, she was diagnosed with polio, a disease that infects the spine, and the disease left her chasten leg distorted. At 18, returning from her fraud school, the bus she was riding in ca rehearse a tram and an iron natural spring up pierced her abdomen/pelvis area. Her legs and vertebrae suffered dangerous damage. The accident was a turning menses in her life. In her hospital bed, she inst onlyed a mirror above her bed. She painted some spirts, most of which were self-portraits.In 1928, Frida met Diego Rivera, whom she married a class later. She could not have children with him because of the accident. Frida was a extensive part of the surrealism movement, and a good guinea pig of this would be her photograph, Las Dos Fridas (The Two Fridas). This work was painted in 1939, shortly afterward s her divorce from Diego Rivera. The word picture depicts two assorted personalities, or versions of her, sitting on a bench. The Frida on the left is clad in a Victorian era espouse gazump (this depicts the Frida that Diego left), and the oneness on the estimable wears a Tehuana, which is the part of Frida that Diego loved and respected.The police wagon of the two Fridas are exposed. The one on the lefts kernel is broken, and the one on the in good orders heart is whole. The fact that she is holding her own trade could suggest that she wants us to realize that she is her yet companion. The composition of the foreground makes the two women the tenderness of attention, and the gloomy sky in the soil could reflect inner turmoil. Despite the deeper center of the portrait, both Fridas look equally as confident and officious.Movement in this portrait is actually little, the only affair we can see that is actively moving is the cut artery from her heart which is squirting blood. This is the first thing that caught my attention. I think, paired with the scissors in her hand, this could imply self-destruction but grown the circumstances one would be right to assume heartbreak. The actual make-up of the impression is very pristine, with her use of oil on canvas. The brush strokes are delicate, precise and give a realistic effect. Theres a lot of depth in the image, like in the folds of her dresses and the use of shadow.Frida has shown weakly and dark tones clearly by making herself the lightest and most vibrant subject in the area, which in contrast, is very dark and approximately sinister. Despite the contrast, theres keep mum a sort of darkness all throughout the painting. The portrait gives an overall negatively charged vibe it makes me feel sympathetic towards her. The use of line is very shrewd and is immaculately blended. The most colourful thing in the foreground is the happy Frida on the right, who wears blue, orange, and funds tones. There doesnt seem to be an obvious colour scheme.Frida in the exsanguine dress is very neutral it complies of subtle tones of olive and lilac, and overall the wedding dress is a blend of harmonious colours. The painting is, in my opinion, one-half cold tones and half warm tones. The agency of herself in the painting is realistic but her style of painting gives it an almost cartoon effect. I real adore this painting. I like it because its obviously something which holds much deeper meaning. Its symbolical of heartbreak, despair and deceitfulness but, ultimately, is a representation of empowerment and sticking by your expression when no one else will.